|
Hal & Betty - LA Balboa Dancers, 1939 |
This past week has been busy! Last weekend we drove up to San Francisco to visit my sister and do some dancing - and in some exciting news, yours truly is the 2010 North American Balboa Champion! Okay, Chris and me both, not just me. That sounds much more impressive than it really is...but then, that's usually the case with Titles.
Enough with this mid-20th century junk, let's go further back in time.
I've gotten the tailcoat body assembled and the collar attached - looks pretty nice, if I do say so myself! I love love love sewing with this melton wool. It's smooth in the machine, presses beautifully, and is even a dream to cut. I hate cutting! I've adjusted the brightness on the pictures so that hopefully you can see the detail. The actual jacket is deep black, not splotchy. My tailoring book actually recommends using a dark fabric for your first tailoring project, so that mistakes are less likely to show. Good call!
As you can see, I went with modern construction techniques, machine sewing the inside and flipping it right side out. If I had known I was going to use that method from the beginning, I would have picked easier/less pointed collar shapes. The M collar point would be much easier to handstitch together on the outside edge - but I felt that I couldn't just do the collar and not do the rest.
I'm not thrilled with how wide the gap is between the collar point and the lapel - I think that on my mockups the points were closer together, almost touching. I think the difference might be partially because of the thickness of the fabric, and maybe something to do with the roll line/breakpoint placement? Anyway, the right and left sides are even, so that's fine. Something to worry about next time.
I used French Collar Canvas from B. Black, and boy is that stuff heavy-duty! I doubt I'll use it again, and instead opt for a medium weight hymo. But I don't have to worry about his collar drooping!
In the back, I took in a little at the shoulder seam at the armhole, because it was gapping away from the body. That's why the seams don't match at the outer edge. To compensate, I might set the sleeves in toward the center back a little further, but this was an Era of Small Backs, so that should look good.
I haven't touched the tails yet, but already the wool is draping in the back much more nicely than the muslin did. Love that wool melton!